ÁGREDA PINO, Ana María, Vivir entre bastidores: bordado, mujer y domesticidad en la España de la Edad Moderna, Santander, Ediciones Universidad de Cantabria, 2022
DOI:
https://doi.org/10.22429/Euc2023.sep.06.16Keywords:
embroidery, lace, feminism, Modern AgeDownloads
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ÁGREDA PINO, Ana María, Vivir entre bastidores: bordado, mujer y domesticidad en la España de la Edad Moderna, Santander, Ediciones Universidad de Cantabria, 2022.
ÁGREDA PINO, Ana María, Los ornamentos en las iglesias zaragozanas: siglos XVI-XVIII. Aportaciones al estudio de los talleres de bordado y las artes textiles en Aragón en la Edad Moderna, Zaragoza, Institución Fernando el Católico, 2001.
ÁGREDA PINO, Ana María, “Artes textiles y mundo femenino: el bordado”, en LOMBA SERRANO, Concha; MORTE GARCÍA, Carmen y VÁZQUEZ ASTORGA, Mónica (eds.), Las mujeres y el universo de las artes, Zaragoza, Diputación de Zaragoza - Institución Fernando el Católico, 2020, pp. 55-82; disponible: . https://ifc.dpz.es/recursos/publicaciones/38/38/04agreda.pdf.
ARIOSTO, Ludovico, Orlando Furioso, Londres, Nueva York, Oxford University Press, 1974; disponible: https://archive.org/details/lorlandofurioso01ariogoog/page/n11/mode/2up.
BARNETT, Pennina, “Reflexiones a posteriori sobre la organización de ‘La puntada subversiva’”, en DEEPWELL, Katy (ed.), Nueva crítica feminista de arte. Estrategias críticas, Madrid, Cátedra, 1998, pp. 143-159.
PAGANINI, Alessandro, Il Burato: libro di recami, Bérgamo, Istituto italiano d'arti grafiche, 1909 (facs. Venecia, 1527); disponible: urn:oclc:record:1046591453.
PARKER, Rozsika, The subversive stitch: embroidery and the making of the feminine, Londres, The Women’s Press, 1984.
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