The decoration of Armenian princely headdress during the Mongolian period (XIII-XIV centuries)
DOI:
https://doi.org/10.22429/Euc2026.sep.09.16Palavras-chave:
Mongol domination, relief, mural painting, miniature, princely headdress, feathered, wide border frame, crownResumo
The study shows that during the period of Mongol rule, several types of Armenian princely headdresses were known, some of which had their own subtypes, and each of them, in one way or another, was connected to contemporary Mongol headdresses. Princes of the Orbelian and Proshian houses are depicted wearing this type of headdress in contemporary donor reliefs, miniatures, and so on. On the basis of these images, we have attempted to group and classify princely headdresses according to their stylistic and artistic characteristics.
Downloads
Referências
AVETISYAN, Avetis, Gladzor School of the Armenian Miniature, Yerevan, Publishing house of the Academy of Sciences of the Armenian SSR, 1971, (in Armenian), https://arar.sci.am/dlibra/publication/338034/edition/308876/content
DANIELYAN, Inesa, “The Collection of Armenian Illuminated Manuscripts in Isfahan and the Gospel of Kirakos of Tabriz (1330 A. D.)”, Series Byzantina. Studies on Byzantine and Post -Byzantine Art, Vol. XV, Warsaw, Neriton Publishing house, 2017, pp. 55-71, https://www.academia.edu/40799247/The_Collection_of_Armenian_Illuminated_Manuscripts_in_Isfahan_and_the_Gospel_of_Kirakos_of_Tabriz
DARNLEY, Elizabeth, Mistress, “Mongol Costume in Art: A study of Mongol Clothing in Contemporary Art”, 2012, https://www.academia.edu/10069337/Mongol_Costume_in_Art_A_Study_of_Mongol_Clothing_in_Contemporary_Art
DER-NERSESSIAN, Sirarpi and MEKHITARIAN, Arpag, Armenian miniatures from Isfahan, Brussels, Les Editeurs d’Art Associés / Armenian Catholicosate of Cilicia, 1986, https://archive.org/details/der-nersessian-1986-isfahan-miniatures/page/49/mode/2up
ERDENEBAT, Ulambayar, “Garments of the Medieval Mongolians”, in SATTAROVA, Liliya and ARSLAN, Saruul (eds.), Proceedings of International Forum of the Museums of Turkic World, Costume collections in the museums of Eurasia: the Study and Interpretation, The Museums of Turkic World International Forum, 22-24 September 2015, Ulan-Bator, Star Printing, Bursa, 2017, pp. 365-378, https://www.academia.edu/35008923/Garments_of_the_medieval_Mongolians
HALBERTSMA-HEROLD, Ulrike, Clothing Authority: Mongol Attire and Textilesin the Socio-political Complex, (unpublished master’s thesis, Leiden University [?], 2008, https://www.academia.edu/35008923/Garments_of_the_medieval_Mongolians
HAKOBYAN, Hravard, Miniatures of Artsakh-Utik in the 13th-14th Centuries, Yerevan, Khorhrdain grogh, 1989, (in Armenian), https://archive.org/details/hagopian-1989-artsakh-utik/page/n4/mode/1up
HATSUNI, Vardan, The History of the Ancient Armenian National Costume, Venice, St. Lazaro, 1923, (in Armenian).
HILLENBRAND, Robert, “The Arts of the Book in Ilkhanid Iran”, in KOMAROFF, Linda and CARBONI, Stefano (eds.), The Legacy of Genghis Khan. Courtly Art and Culture in Western Asia, 1256-1353, New York, The Metropolitan Museum of Art / Yale University press, 2002, pp. 134-167, https://www.metmuseum.org/es/met-publications/the-legacy-of-genghis-khan-courtly-art-and-culture-in-western-asia-1256-1353
HOVSEPYAN, Garegin, “Vakhtang, son of Umek”, in HOVSEPYAN, Garegin (ed.), Materials and Research of Armenian Art and Culture History, vol. A, Jerusalem: Publishing house of St. Yakobeants’ 1935, pp. 1-14, (in Armenian).
HOVSEPYAN, Garegin, “The Generation of Tarsaitch Orbelian and Mina Khatun”, in HOVSEPYAN, Garegin, and POLADYAN, Derenik (eds), Hask, Yearbook of Armenian Studies, 1948, A year, pp. 1-28, (in Armenian), https://arar.sci.am/Content/366600/9.pdf
HOVSEPYAN, Garegin, Khaghbakyans and Proshyans in the History of Armenia, in CHOOKASZIAN Babken (ed.), B. Publishing house, Antelias, Lebanon, The Armenian Catolicosate of Cilicia, 1969, (in Armenian).
KADOI, Yuka, “Chinese and Turko-Mongol elements in Ilkhanid and Timurid arts”, in FLOOD, Finbarr Barry and NECIPOĞLU, Gülru (eds.), A Companion to Islamic Art and Architecture, vol. II: From the Mongols to Modernism, Chichester, Wiley-Blackwell, 2017, pp. 636-667.
KIWRTEAN, Yarutyun, “Miniaturist Kirakos of Tabriz (1330)”, in HOVSEPYAN Garegin; SIMONYAN, Simon and others, Hask, Yearbook of Armenian Studies, vol. 2 (1949-1950), pp. 115-130, (in Armenian), https://tert.nla.am/archive/NLA%20AMSAGIR/haskhayagit/1949-50%282%29_ocr.pdf
LOUKONINE, Vladimir and IVANOV, Anatoli, Persian miniatures, New York, Parkstone Press International, 2023.
MATEVOSYAN, Karen, Ani and Its Citizens, Yerevan, Publishing house “Matenadaran”, 2021, (in Armenian), https://arar.sci.am/dlibra/publication/324007/edition/297047/content
MATHEWS, Thomas F. and TAYLOR, Alice, The Armenian Gospels of Gladzor. The Life of Christ Illuminated, Los Angeles, J. Paul Getty Museum, 2001.
MNATSAKANYAN, Stepan, The Armenian Secular Relief Images in IX-XIV centuries, in MATEVOSYAN, Varag (ed.), Yerevan, Publishing house of the Academy of Sciences of the Armenian SSR, 1976, (in Armenian), https://arar.sci.am/dlibra/publication/340498/edition/312304/content
PREOBRAZHENSKI, Aleksandr, Donor Portraits of Medieval Russia: 11th – Early 16th Centuries, in BELYAEV, Leonid and SOKOLOV, Mikhail (eds), Moscow: “Severny palomnik”, 2010, (in Russian), https://www.academia.edu/3778026/Donor_Portraits_of_Medieval_Russia_11th_Early_16th_Centuries
SITDIKOV, Ayrat and MAKLASOVA, Lyudmila, “Male Feathered Headwear of 13th 14th Centuries”, in VOVCHENKO, Natalia G. and ZENTES, Joachim (eds.), European Research Studies Journal, XX, Special Issue (2017), pp. 352-361, https://www.um.edu.mt/library/oar/bitstream/123456789/34594/1/Male_Feathered_Headwear_of_13th_14th_Centuries_2017.pdf
SHAHNAZARYAN, Artashes; BARKHUDARYAN, Vladimir and others, History of Armenia, Medieval Period (mid-IV century - first half of XVII century), second book, vol. II, Yerevan, “Zangak-97” Publishing house, 2014, (in Armenian), http://www.academhistory.am/images/Bazmahatoryak/H.-2-GIRQ-2-RD.pdf
SWIETOCHOWSKI, Marie Lukens and BABAIE, Sussan, Persian Drawings in The Metropolitan Museum of Art, in O’NEILL, John P. and FELIX, Georgette (eds), New York, The Metropolitan Museum of Art, 1989, https://books.google.am/books?id=ABlZT_jI_RcC&printsec=frontcover&redir_esc=y#v=onepage&q&f=false
SWIETOCHOWSKI, Marie Lukens and CARBONI, Stefano, Illustrated Poetry and Epic Images, Persian Painting of the 1330s and 1340s, New York: The Metropolitan Museum of Art, 1994, https://books.google.am/books?id=00t6HH7RUCAC&printsec=frontcover&redir_esc=y#v=onepage&q&f=false
TER-GHEVONDIAN, Hayk, The royal crowns of the Artaxiad Dynasty and their origin, Venise-St. Lazare, Mkhit'arean Tparan, 1990, (in Armenian), https://arar.sci.am/dlibra/publication/459884/edition/426931/content
ULUBABYAN, Bagrat, Khachen Princedom in X-XVI centuries, in HAKOBYAN, Vazgen (ed.), Yerevan, Publishing house of the Academy of Sciences of the Armenian SSR, 1975, (in Armenian), https://archive.org/details/Ulubabyan1975Xachen/page/n463/mode/1up
YENOKYAN, Ashkhen, “The Garment of Orbelian and Proshian Princes in the Armenian Medieval Art”, Bulletin of Matenadaran, 37 (2024), pp. 102-125, (in Armenian), https://www.academia.edu/123957411/%D5%95%D5%90%D4%B2%D4%B5%D4%BC%D5%85%D4%B1%D5%86_%D4%B5%D5%8E_%D5%8A%D5%8C%D5%88%D5%87%D5%85%D4%B1%D5%86_%D4%BB%D5%87%D4%BD%D4%B1%D5%86%D5%86%D4%B5%D5%90%D4%BB_%D5%80%D4%B1%D5%86%D4%B4%D4%B5%D5%90%D5%81%D4%B1%D5%86%D5%94%D4%B8_%D5%80%D4%B1%D5%85_%D5%84%D4%BB%D5%8B%D5%86%D4%B1%D4%B4%D4%B1%D5%90%D5%85%D4%B1%D5%86_%D4%B1%D5%90%D5%8E%D4%B5%D5%8D%D5%8F%D5%88%D5%92%D5%84
Downloads
Publicado
Como Citar
Edição
Secção
Licença
Direitos de Autor (c) 2026 Ashkhen YENOKYAN
Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição-NãoComercial-SemDerivações 4.0.
- A revista Santander. Estudios de Patrimonio conserva os direitos de copyright dos textos publicados, mas favorece e permite a sua reutilização sob licença da Creative Commons Reconocimiento-NoComercial: SinObraDerivada 4.0, do mesmo modo que se recolhe no secção “Licença” e neste link.
- Todos os textos da revista são publicados na edição electrónica da revista, ao abrigo da licença acima referida, que permite a cópia, utilização, difusão, transmissão e exposição pública, desde que se cite sempre a autoria, a URL e a revista, desde que não seja para fins comerciais.
- Os autores devem aceitar a licença de uso, utilizada pela revista, com as condições de auto-arquivamento e com a política de acesso aberto.
- Em caso de reutilização das obras publicadas nesta revista, deverá reconhecer a fonte editorial, pelo que deverá incluir a seguinte declaração preenchida pelo autor: -Publicado inicialmente na Santander. Estudios de Patrimonio en el [número] do ano [em algarismos], Universidade da Cantabria (Espanha). Mais, deve oferecer-se um link que remeta para a versão do autor com a seguinte frase: A publicação original está disponível em: Santander. Estudios de Patrimonio (incluindo o link).
